The Motor Scout: A Story of Adventure in South America — Context and Discussion

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In Category - Fairy Moral Tales
Strang, Herbert, Cuneo, Cyrus, 1879-1916 [Illustrator] Project Gutenberg 2013 Not confirmed
Adventure stories; Motorcycles -- Juvenile fiction; South America -- Juvenile fiction; Revolutions -- Juvenile fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 66,921
Reading time 291 min
Text sections 9

The source record for The Motor Scout: A Story of Adventure in South America — Context and Discussion measures this digital text at 66,921 words, 4 hr 51 min estimated reading time, and 9 detected text sections.

The text analysis averages about 16.5 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Adventure stories,” connecting these edition facts with the source record’s subject description.

Herbert Strang's 1913 adventure follows a boy named Tim on a motor-cycle through revolutionary Peru. The opening shows the gobernador clinging in terror as Tim rides through San Rosario. Later excerpts depict Tim leading a raid on barracks, capturing them with a mix of Japanese and Cholo allies. The narrative balances mechanical detail with fast-paced skirmishes.
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Editorial Edition Score 4.7/5

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  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
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only motor-bicycle in the province, an object of a fearful awe to the young Peruvians. A crowd of these would surround him as he prepared to mount, and scatter with shrieks when they heard the clatter of the engine. Elderly ladies crossed themselves and drew their mantillas closer as they saw him flashing by, and the authorities of San Rosario were thinking of framing a bye-law for the protection of the inhabitants from furious driving. But they were slow to move; to-morrow would do; and Biddy Flanagan declared that no action would be taken until the gossoon had killed somebody dead.

On this June day, Tim had left home early in the afternoon for a twenty-mile trip into the hills. He was returning, and had just run down a steep and winding declivity which joined the highroad to San Juan, the provincial capital, when he caught sight of the gobernador, Señor José Fagasta, ambling ahead on his mule in the homeward direction. In half a minute he overtook the magistrate, and being always very sociably inclined, and having a certain liking for the large good-tempered gentleman, he stopped his machine, dismounted, and after a salutation in Spanish stepped on beside the rider, not finding it easy to keep pace with the mule’s rapid march.

The gobernador was returning from the capital to his own little township, and it was not long before he confided to the boy the object and result of his visit.

"Brigands, my young friend," he said amiably.

"Are they caught, señor?" asked Tim.

"No, no; but they soon will be, the rascals!"

Tim pricked up his ears. Of late the so-called brigands had been very troublesome. They swept down from their unknown lairs in the mountains, falling unawares on some remote hacienda, and waylaying the trains of pack-mules on the roads. Tim, like many another honest boy, felt a sneaking admiration for these lawless adventurers, and was not wholly displeased that they had hitherto defied all attempts to track them and bring them to book. Besides, they were "against the government"; and there were many good Peruvians who had reason to abhor the officials under whose exactions they were then suffering.

"What is going to be done, señor?" he asked.

"What am _I_ going to do, you should have said," replied the magistrate. "You will see, my boy. They sent for me to-day at San Juan, and I have had a long consultation with his excellency the Prefect. ’Señor Doctor,’ said he, ’you are the man to catch these ruffians. I leave it to you.’"

There was an accent of pride in the gobernador’s tone, and he looked at Tim with the air of a man demanding admiration.

"Why do they call you doctor, señor?" asked Tim. "You don’t attend us."

"No, my son. I am a Doctor of Laws of San Marcos University. Yes, they have confidence in me," he continued. "And the brigands will soon have me to reckon with." He touched significantly the butt of his revolver. "I will hunt them down; I will catch them; I shall have no mercy on them, and they will find that such villainy is not to be allowed to go unpunished within twenty miles of Señor Doctor José Fagasta. I am a man of peace; nobody could be more mild and humane; but when I see the beneficent laws of our republic transgressed and defied, then I remember that I am chief magistrate; I become severe; I may even be called terrible."

"What will you do with them?" asked Tim, impressed by the gobernador’s vigorous words, and fascinated by the shining weapon that peeped out of his pocket, and the long sword that dangled from his belt.

"They shall be shot, my boy. Not without trial, no; we shall be just even to the most villainous desperado. We shall catch them, and bring them in irons to the town. We shall give them a fair trial, and condemn them: that goes without saying; then we shall place them blindfolded in the plaza, and----"

"Shoot them!" added Tim, as the magistrate paused mysteriously.

Señor José nodded with official gravity, and for a little there was silence between the two, Tim conjuring up the anticipated scene, and wondering what the sensations of a man about to be shot must be.

The story begins not with the boy hero but with the town's astonishment at seeing the gobernador—land-owner, chief magistrate, and father—clinging to a motor-cycle carrier, his fat hands clasped around the waist of the boy in the saddle. The machine clatters through ill-paved streets, scattering dogs and poultry, while the gobernador's head is bare, his cheeks shining with perspiration. This comic yet urgent image establishes the motor-cycle as both a source of chaos and a tool of escape.

Strang's prose moves quickly from this farcical entrance into a world of revolution. The boy, Tim, is soon leading a band of Japanese and Cholo fighters, capturing barracks, and firing volleys from balconies. The excerpts show a narrative that prizes tactical detail—barring gates, bursting locks with revolver shots—over character interiority.

The Motor-Cycle as a Character

The motor-cycle is not merely a vehicle but a narrative engine. In the opening, its vibration shakes the gobernador's rotund figure, and its noise nearly drowns out the din of barking dogs and screaming fowls. Later, chapter titles like “The Motor-Cycle” and “Free Wheel” suggest the machine’s centrality. The story treats the motor-cycle as a source of both comedy and tactical advantage: it allows Tim to outpace horsemen and navigate rough terrain. Readers should note how Strang describes the machine’s mechanical sounds and movements—the clattering, the jolting—as part of the sensory texture of the adventure.

Tim's Tactical Mind

Tim is defined by his quick thinking under fire. After capturing the barracks, he does not exult prematurely; he calculates how long before the enemy returns, barricades gates, and orders his men to line the balcony. He bursts a lock with a revolver shot, directs volleys to avoid hitting comrades, and uses the element of surprise. The excerpts show a boy who learns from earlier mistakes—at the hacienda he was lulled by success, but at the barracks he remains vigilant. This growth is conveyed through action, not introspection.

A Mixed Band of Allies

Tim commands a diverse group: Japanese and Cholos (mixed-race Peruvians). The excerpts mention “eager Japanese” who join him in pouring volleys, and the enemy includes “Japanese and Cholos mounting behind the lad.” This coalition is unusual for the period and suggests a pragmatic alliance rather than a nationalist one. Strang does not develop these characters individually; they function as a collective force. The reader should watch how the group’s composition affects the story’s dynamics—loyalty, language barriers, and shared goals are hinted at but not explored.

Setting and Atmosphere

The story is set in the Peruvian Andes, in the town of San Rosario. The opening describes a hot, sultry afternoon with ill-paved roads. Later, the action moves to a plaza, barracks, and a hacienda. The setting is sketched lightly—enough to evoke a sense of place without overwhelming the plot. The night air carries sounds of firing across open country; the gates are barred against horsemen. Strang uses the environment to create obstacles and opportunities: the motor-cycle’s speed on roads, the cover of balconies, the confusion of a crowded plaza.

Readers approaching The Motor Scout should attend to how Strang balances mechanical detail with swift action. The motor-cycle is not a mere prop but a central element that shapes the plot and the protagonist’s identity. The excerpts offer a clear view of the narrative’s pace and its focus on tactical problem-solving rather than emotional depth. This is a story that moves as fast as its machine.

Reading about Tim’s frantic ride through San Rosario, I felt that same breathless, boyish thrill I remember from an older tale of youthful grit. The Motor Scout’s mechanical clatter and dusty road somehow quieted into a memory of simpler chums and their own stubborn adventures. It made me think of The Motor Boys; or, Chums Through Thick and Thin — A Closer Reading, where friendship steered every turn just as surely as any handlebar.

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