Dan Carter-- Cub Scout — Context and Discussion
Edition facts
The catalog record for Dan Carter-- Cub Scout — Context and Discussion provides practical reading context through 38,871 words, 2 hr 50 min estimated reading time, and 6 detected text sections.
The text analysis averages about 11.1 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Mystery and detective stories,” connecting these edition facts with the source record’s subject description.
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- Description quality20 pts
- Title & short description10 pts
- Source metadata20 pts
- Text length15 pts
- Chapters / structure15 pts
- EPUB file integrity20 pts
Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.
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whipping a small one from the top desk drawer. “All the trails on my property are marked. Now, you may visit the barns, the pheasant runs and the central area near the foreman’s house. But this breeding ground, where we keep the Germain peacock pheasant, is restricted.”
Mr. Silverton etched in a small section along the river and highway. “You agree to stay out of this area?” he asked again.
“We’ve already given our promise,” said Brad.
“Good. Then take this map along,” Mr. Silverton said, thrusting it into Dan’s hand. “Good afternoon, boys.”
Fingering the map, Dan remained facing the sportsman. “Please, sir—”
“Yes, what is it now?”
“May we have a paper, or some authorization? Saul Dobbs may not be willing to take our word—”
“Yes, to be sure,” Mr. Silverton said hurriedly. He scribbled a brief note on a memorandum sheet which bore his printed name.
“This will take care of it,” he said. “You should have no trouble from now on with Dobbs.”
“I’m sure we won’t,” said Dan, pocketing the order.
“But remember,” Mr. Silverton warned as the boys turned to leave, “you’re on trial. If any of the Cubs disobey instructions, your privileges will end. Now get along with you. I have work to do.”
Jubilant at having obtained permission to visit the Silverton Pheasant Farm, Dan and Brad told Mr. Holloway the good news when he came for them twenty minutes later.
“Fine!” he praised. “You boys must have put up a good argument. We’ll plan a trip to the farm tomorrow if the weather permits.”
The following morning, cheered by a warm sun which rapidly dried the damp trails, the Cubs set off for the Silverton Pheasant farm with Sam Hatfield and Midge’s father.
“Remember, gang,” the Cub leader warned as he paused on the path where the party had met Saul Dobbs the previous day. “We’re here on trial. Mr. Silverton will toss us out in nothing flat if we wander into forbidden areas. Everyone got that straight?”
To make certain that all the Cubs understood, Dan passed out the map which Mr. Silverton had given him the previous day.
“This section along Crooked Creek near the main road and the river is taboo,” he said, outlining it with his finger tip.
“Wonder why Silverton doesn’t want us to go there?” speculated Red.
“Because he keeps his fancy pheasants in that area,” Dan explained. “The point is, Brad and I gave our promise the Cubs will stay away from the marked section.”
“We will,” said Midge. “You don’t have to worry.”
“Lead on,” sang out Mack.
The Cubs moved single file along the narrow woodland trail, noticing many fine oak, white elm, ash and birch trees.
“Say, we could get wood here for some dandy Indian bows and arrows!” Fred exclaimed enthusiastically. “Wonder if Mr. Silverton would mind?”
“We’ll not cut any wood without first asking permission,” said the Cub leader to his son. “And no playful whacks at any of the bushes,” he added, glancing at Chips who was known to have an itchy hand with a belt axe.
At a brisk pace, Mr. Hatfield led the Cubs on, crossing a creek at a footbridge. Soon he came to an open space which permitted a view of the Silverton barn, the hatchery, the holding pens and a small dwelling, evidently the cottage where Saul Dobbs lived.
Beyond the mesh enclosed pens, a field had been planted in cover strips of sorghum grass.
“Oh! Oh!” muttered Dan under his breath. “Here comes Old Man Trouble himself!”
Saul Dobbs, who had been interrupted as he clipped the wings of a blue-breasted pheasant, trod angrily toward the Cubs.
In his gnarled hands he still held the beautiful bird, whose handsome red neck feathers shaded off into a long silver white tail.
“What’s the big idea?” Dobbs demanded harshly. “Didn’t I tell you to stay away from here? D’you want me to call the sheriff?”
“One moment, Mr. Dobbs,” said Sam Hatfield. “We have permission to visit the farm.”
“Mr. Silverton said you could come here?”
The information plainly annoyed the foreman, for he scowled. “How do I know you ain’t just saying that?” he demanded.
Dan produced the memorandum written in Mr. Silverton’s hand. Dobbs read it in stony silence.
“Okay, it’s nothing to me one way or the other,” he shrugged. “You can look around if you like. But mind, don’t get the birds stirred up.”
“Isn’t that a silver pheasant you have in your hand?” Mr. Hatfield inquired pleasantly.
The story opens not with a mystery but with weather: rain drumming on a tin roof, a river that "steadily had risen," and a cabin dissolving into "a sea of mud." From the first whispered exchange between Dan and Sam Hatfield, the narrative anchors itself in sensory detail—the splash of droplets, the creak of a door, the pound of a boat against a dock. This is a world where environment is antagonist, where every action is shadowed by flood risk.
The excerpts reveal a pattern of watchfulness: adults and Cubs alike monitor water levels, check boats, and debate whether to return to a post or seek shelter. The tension is not between characters but between impulse and judgment—a Cub leader's calm versus a boy's eagerness, the pull of responsibility against the pull of safety.
Rain as a Structural Force
Rain is not merely backdrop in these excerpts; it dictates pacing and decision-making. The opening chapter, "Trespassers," begins with Dan stirred from sleep by "a splatter of rain" that beats "a tattoo on his sleep-drugged brain." The repetition of "Rain! Rain! Always rain!" establishes a percussive rhythm that mirrors the storm's persistence. Later, a filling station attendant calls the downpour "a regular cloudburst," and the truck driver reports that creeks are "out of their banks most places." Each mention of weather escalates the stakes: the river will rise, Crooked Creek may flood, and the pheasant farm's log jam—if uncleared—could drown the birds. The narrative uses rain as a countdown, compressing time and forcing choices.
Voice and Dialogue: Understated Urgency
The dialogue is clipped and functional, yet carries emotional weight through what is left unsaid. When Dan and Brad reach the filling station, the attendant's laugh—"You look like a couple of drowned rats"—is the only moment of levity. Otherwise, exchanges are brief: "I'll go with you," "May we use your telephone?," "No use." The characters rarely express fear directly; instead, worry surfaces in actions—Sam tucking a blanket around Chips, Brad drumming his fingers against the wall. The telephone calls that go unanswered (Mr. Hatfield is already driving; Saul Dobbs does not pick up) heighten the isolation. The prose mirrors this restraint: sentences are short, descriptions spare, and interior thoughts are implied rather than stated.
The Unseen Antagonist: Saul Dobbs and the Log Jam
Though Saul Dobbs never appears in the excerpts, his presence looms through the log jam he has neglected. Brad worries aloud: "I sure wish I knew if Saul Dobbs ever cleared away that log jam." Dan's reply—"Your guess is as good as mine. But knowing him, I'd say he hasn't touched those logs"—establishes a history of friction between Dobbs and the Cubs. The log jam becomes a concrete symbol of preventable disaster: a task left undone that could cost the pheasants their lives. The narrative withholds Dobbs's perspective entirely; he is judged only through the Cubs' frustration and the attendant's overheard remark. This asymmetry creates a quiet moral tension: the boys must act responsibly toward a man who has been "mighty unpleasant" to them.
Readers should attend to how the story balances multiple threads—the rising river, the missing Cub leader, the unanswered phone, the log jam—without resolving any of them in the opening chapters. The excerpts offer no clear villain, only a series of accumulating pressures. Pay particular attention to the way small details (a nickel for a call, a towel from a restroom, the steam rising from pavement after rain) anchor the narrative in a tactile, mid-century American landscape. The mystery here is not who did what, but what will break first: the weather, the boys' resolve, or the neglected dam of logs upstream.
That rainy, muddy stretch in the Dan Carter book reminded me of another quiet struggle with weather and patience—where snow replaces rain, but the same feeling of being small against the land lingers. I found myself thinking of Two on the Trail: A Story of Canada Snows — Reading Companion afterward, the way certain scenes just stay with you, softly.
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