Dick Kent with the Mounted Police — Text and Context

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Oblinger, M. M. (Milo Milton), 1900- Project Gutenberg 2015 Not confirmed
Adventure stories; Royal Canadian Mounted Police -- Juvenile fiction; Canada, Northern -- Juvenile fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 49,223
Reading time 215 min
Text sections 7

Before opening Dick Kent with the Mounted Police — Text and Context, the edition data offers a quick orientation: 49,223 words, 3 hr 35 min estimated reading time, and 7 detected text sections.

The text analysis averages about 14.0 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Adventure stories,” connecting these edition facts with the source record’s subject description.

In this 1927 adventure, Dick Kent and his friend Sandy McClaren face outlaws, blizzards, and a ghostly apparition in the Canadian North. The excerpts reveal a narrative focused on physical endurance, sudden danger, and the tension between human will and the wilderness, with the Mounted Police as a backdrop rather than a central presence.
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Editorial Edition Score 4.7/5

Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.

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  • Description quality20 pts
  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
  • EPUB file integrity20 pts

Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.

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Read the Text

n by the killing of the lynx, Sandy was so tired that he went back to sleep almost immediately.

Dick looked down at the lynx. “He’s sure a beauty,” he whispered proudly. “I kind of wish I hadn’t killed him now. It’s a shame to kill animals when a fellow can’t use their fur or meat.”

He returned to his position in the shadow of the willows and sat there patiently until midnight, when it was time to awaken Sandy. The fire had died down and he heaped more wood on it. He never felt more wide awake in his life. Sandy was sleeping soundly.

“Sandy, you’re pretty tired,” Dick murmured, looking down at his chum, “and I feel just about as fresh as when we pitched camp. Guess I won’t wake you up—just let you sleep until morning.”

There was an affection like brotherhood between the two boys, who had been neighbors and chums from infancy up. And since Dick was two years older than Sandy, he often felt somewhat like an older brother would feel toward a younger. Perhaps this induced Dick to resume his watch without awakening Sandy.

When Dick sat down again he was sure he could stay awake all night, but the flicker of the firelight, the whispering silence of the forest, and the ripple of the river were like a pleasant lullaby. Before he knew it he was nodding, and presently he fell sound asleep. Head drooping over his knees, Dick slept unknowing, while the fire died down and the deep blackness of the northland night crept over the silent camp.

Sandy awakened with a start at four o’clock. It still was dark, as the days were shortening with the approach of winter. He did not know why Dick had not awakened him, and he was at first fearful that something had happened to his chum.

“Dick, Dick,” he called softly, sitting up in his blankets, trying to pierce the gloom with his eyes.

There came no answer. Quietly Sandy reached out and one hand closed on his rifle. The feel of the cold steel comforted him. He had begun to learn what an encouraging companion a firearm can be in those lonely climes where they are necessary if one would live long.

Arising, Sandy began a search of the camp and quickly came upon Dick, sound asleep a little way off.

“Ho, ho,” laughed Sandy mischievously, “I’ve got one on you now, old boy. Asleep on watch, huh. I’ll fix you.”

His fears relieved, Sandy’s sense of humor cropped out. He could not resist playing a good joke on his chum.

Sandy thought a moment, then hit upon an idea, which he quickly put into execution. The fire had gone out, and Sandy’s scheme was no other than to rebuild it so close to Dick that it would sizzle the sleeping lad’s chin.

Soon Sandy had the fire crackling and snapping within two feet of Dick’s face, as he lay on the pine needles where he had fallen over during the night.

Setting about breakfast, Sandy chuckled as he watched Dick begin to squirm and mutter in his sleep as the heat reached him.

At last Dick turned over, and flinging out one hand, almost plunged it into the fire. Sandy cried out sharply, and jumped forward to keep Dick’s hand out of the fire, when his chum leaped up wide awake.

“What! How——” Dick stammered, blinking his eyes.

Sandy doubled up with laughter. Dick soon saw the joke and joined Sandy in a hearty laugh. Then he quickly grew serious.

“That’s the worst thing I could have done,” Dick accused himself. “Suppose Henderson’s men had crept up on us while I was asleep. Sandy, I’ll never forgive myself for this. I can’t blame them for shooting soldiers that sleep on guard duty—after tonight.”

“Oh, never mind,” Sandy’s optimism came to the front. “What’s the difference. We’re safe and sound, aren’t we?”

“That doesn’t excuse me for neglecting my duty,” Dick insisted. But as he reached for the tin plate of bacon and camp bread that Sandy handed him, Dick cheered up. “What beats me,” he concluded, “is that I was going to let you sleep till morning, Sandy. Guess I wasn’t as tough as I thought I was.”

“That’s just like you,” Sandy retorted. “Just because you’re a couple of years older than I you think you ought to do all the heavy work.”

The opening chapter of Dick Kent with the Mounted Police introduces the protagonists through a single, telling detail: Dick Kent tosses aside a wolf trap he had been trying to repair. This small action signals a world where repairing gear is routine, and restlessness quickly leads to new danger. The catalog subjects list the Royal Canadian Mounted Police and Northern Canada, but the excerpts show the Mounties as a distant authority—the story’s engine is the boys’ own initiative and the immediate threats of outlaws, ice, and exhaustion.

Restlessness as a Narrative Engine

Dick’s complaint that Fort du Lac is “getting too quiet” sets the plot in motion. The excerpts repeatedly show the characters acting on impulse: Dick and Sandy decide to return to Fort Good Faith on a whim, and later Dick ventures into danger without fully weighing the risks. This restlessness is not merely a character trait but a structural device—each chapter title (e.g., “Dick Shoots the Rapids,” “Through the Flames”) promises a new crisis triggered by the protagonists’ own decisions. The narrative rarely pauses for reflection; instead, it moves from one physical ordeal to the next, with the boys’ energy driving the pace.

The Wilderness as an Active Antagonist

The excerpts depict the northern environment not as a passive setting but as a force that resists human presence. Dick mentally lists the hazards: “Treacherous rivers, forest fires, wild beasts, the danger of freezing to death in the extreme cold or getting lost in a blizzard.” This catalog of threats is borne out in the text—a river breaks under a sled, a blizzard forces a desperate camp, and the cold is described as a tangible presence. The wilderness is never conquered; it is merely endured. The characters’ survival depends on constant vigilance and physical labor, such as gathering wood or improvising shelter, rather than on any technological advantage.

The Ghostly Encounter and the Limits of Rational Explanation

One of the most striking passages in the excerpts is Dick’s encounter with a figure he initially mistakes for a ghost: “fashioned out of a substance as hard and unyielding as a block of ice.” The narrative leans into the supernatural for several paragraphs before revealing the figure is a human messenger. This moment is notable because it shows the story willing to entertain the inexplicable—Dick’s terror is described in visceral detail, and the rational explanation (a man covered in ice) does not fully dispel the eerie atmosphere. The episode suggests that the novel occasionally uses the trappings of horror to heighten tension, even within an adventure framework.

Readers approaching Dick Kent with the Mounted Police should expect a fast-paced series of survival tests rather than a detailed portrait of the Mounted Police or Canadian governance. The excerpts offer no evidence of character development or thematic depth; instead, the appeal lies in the relentless sequence of physical challenges. Pay attention to how the narrative handles moments of fear—the ghost scene, in particular, shows a willingness to blur the line between natural and supernatural that may surprise readers expecting a straightforward adventure.

That old Dick Kent story lingered because it was less about heroics than about the quiet grit of enduring cold and fear. I found myself thinking about how those northern nights felt like a held breath. Reading Motor Matt's Submarine; or, The Strange Cruise of the Grampus — A Reader’s Guide brought that same strange, submerged patience back to me—that feeling of waiting underneath everything.

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