Motor Matt's Queer Find; or, The Secret of the Iron Chest — Background and Themes
Edition facts
The catalog record for Motor Matt's Queer Find; or, The Secret of the Iron Chest — Background and Themes provides practical reading context through 36,925 words, 2 hr 41 min estimated reading time, and 4 detected text sections.
The text analysis averages about 13.8 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Adventure stories,” connecting these edition facts with the source record’s subject description.
Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.
How this score is calculated
- Description quality20 pts
- Title & short description10 pts
- Source metadata20 pts
- Text length15 pts
- Chapters / structure15 pts
- EPUB file integrity20 pts
Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.
Read the Text
CHAPTER I. THE HUT BY THE BAYOU. CHAPTER II. YAMOUSA. CHAPTER III. THE ATTACK ON THE CAR. CHAPTER IV. SMOKE PICTURES. CHAPTER V. A QUEER FIND. CHAPTER VI. FOUL PLAY. CHAPTER VII. DRIED FROGS--AND LUCK. CHAPTER VIII. THE PLOTTERS. CHAPTER IX. THE HEAD OF OBBONEY. CHAPTER X. ON THE TRAIL. CHAPTER XI. A BLACK MYSTERY. CHAPTER XII. AT CLOSE QUARTERS. CHAPTER XIII. THREE IN A TRAP. CHAPTER XIV. AN ASTOUNDING SITUATION. CHAPTER XV. THE TREASURE. CHAPTER XVI. DIAMONDS GALORE. THE MASKED LIGHT.
CHARACTERS THAT APPEAR IN THIS STORY.
=Motor Matt=, a lad who is at home with every variety of motor, and whose never-failing nerve serves to carry him through difficulties that would daunt any ordinary young fellow. Because of his daring as a racer with bicycle, motor-cycle and automobile he is known as "Mile-a-minute Matt." Motor-boats, air ships and submarines come naturally in his line, and consequently he lives in an atmosphere of adventure in following up his "hobby."
=Carl Pretzel=, a cheerful and rollicking German boy, stout of frame as well as of heart, who is led by a fortunate accident to link his fortunes with those of Motor Matt.
=Dick Ferral=, a young sea dog from Canada, with all a sailor's superstitions, but in spite of all that a royal chum, ready to stand by the friend of his choice through thick and thin.
=Townsend=, a wealthy though eccentric gentleman, who owns a remarkable submarine boat on which our friends have seen various adventures in the past.
=Whistler=,} =Jurgens=, } a trio of rogues bent upon gaining possession of a prize. =Bangs=, }
=Yamousa=, the hideous voodoo woman of the Louisiana swamps.
THE HUT BY THE BAYOU.
"Lisden, vonce, you fellers! I t'ink I hear someding."
Carl Pretzel turned back from the forward rail of the _Hawk_, gave his chums, Motor Matt and Dick Ferral, a warning look, and then leaned out over the side of the air ship, his eyes on the earth below.
The _Hawk_ was sweeping over the tongue of land between Lake Pontchartrain and Lake Borgne, bound for New Orleans by way of the Lower Mississippi.
Night was coming on, and the boys in the air ship had been looking anxiously for a place in which to effect a landing. Interminable stretches of cypress and live oak covered the low ground beneath them, and there did not seem to be a gap anywhere in the dense growth.
"You must have bells in your ears, mate," said Dick, in response to Carl's announcement that he had heard "something." "Dowse me if I heard any noise."
"Listen, pards, both of you," called Matt from his seat among the levers. "If you can hear a voice, down there, it will be a pretty sure sign that we're close to a clearing. We've done enough flying for to-day, and these Louisiana air currents are so changeable I don't want to do any night traveling. If you----"
"Dere it vas some more!" cried Carl excitedly. "You hear him dot time, Tick?"
"Aye, matey," answered Dick, "I heard a voice, fair enough. It was a sort of screech, as though a woman might have piped up--or a panther."
"Where away was it?" asked Matt.
"Two points off the starboard bow, Matt."
Matt shifted the rudder, thus altering the course of the _Hawk_; he also depressed the horizontal plane and threw the air ship closer to the tree tops.
"It's getting so blooming dark, down there among the trees," observed Dick, "that it's hard to see anything, but I believe I can make out a bit of a river, and an arm of it like a bayou."
"Yah, so helup me," put in Carl, "I can see dot meinseluf, I bed you. Und dere iss a light like a fire, vich geds prighter und prighter as ve go aheadt. Vat you t'ink is dot anyvay, Tick?"
Before Dick could answer, the cry that had already claimed their attention was wafted up from below, this time so clear and distinct that there was no mistaking it.
It was a screech, as Dick had said, and resembled greatly the yell of some wild animal; nevertheless, the call was plainly human, for it was broken into words.
"French lingo, or I'm a Fiji!" averred Dick. "It's the same as some one calling for help. And a woman, too. No man could make a sound like that."
As if to prove Dick's words, the cry was repeated, but the words were English, now, and not French.
"Py chiminy grickets!" gasped Carl. "Dere iss someding going on vat means drouple for der laty."
"We've got to land," declared Matt, "and see what's the matter. Can you find a place?"
Both Dick and Carl were leaning over the forward rail and staring ahead and downward.
The catalog entry for Motor Matt's Queer Find lists “Airships” and “Mechanics” as subjects, but the excerpts show that the air ship Hawk appears only in the opening chapter. The bulk of the narrative takes place on the ground, in Louisiana bayou country, and the mechanical expertise promised by the series title is largely absent from the provided text. Instead, the story revolves around a voodoo priestess named Yamousa, a mysterious iron chest, and a severed head that drives characters to madness. The dime-novel format—originally priced at five cents and issued weekly—shapes the pacing: chapters are short, action is immediate, and the plot relies on coincidence and sudden reversals rather than technical detail.
The Voodoo Element and Regional Setting
The excerpts introduce Yamousa as “the hideous voodoo woman of the Louisiana swamps,” and the story makes use of swamp imagery—bayous, Lake Pontchartrain, Lake Borgne—to create an atmosphere of isolation and threat. The voodoo motif is not merely decorative: it drives the plot. A character named Bangs appears “wild,” “bareheaded,” and “daft,” and another character, Jurgens, is described as similarly afflicted. The cause is linked to the contents of the iron chest, which includes “the head of Obboney” and a scrap of paper. The text does not explain what Obboney is, but the implication is that the head has supernatural or psychological power. This regional horror element is more prominent than any mechanical or aeronautical content.
The Iron Chest and Its Contents
The iron chest of the title is discovered in Chapter V, but the excerpts reveal its contents only gradually. When Matt and Dick find the chest, the lid is thrown back, and near it is a pile of sawdust. Inside, there is “the head of Obboney” and a paper. The head is never described in detail, but its effect on those who see it is dramatic: Bangs, Jurgens, and even Carl Pretzel (whose cap is found at the scene) all exhibit signs of madness or disorientation. The chest itself is not a treasure in the conventional sense—Matt notes, “That’s the treasure Jurgens and Whistler have been hunting for!” with evident irony. The story thus subverts the expected dime-novel treasure hunt, replacing gold or jewels with a grotesque artifact.
Character Roles and Dialogue Patterns
The three main characters—Motor Matt, Carl Pretzel, and Dick Ferral—are distinguished by their speech patterns. Carl speaks in a heavy German dialect (“Lisden, vonce, you fellers! I t’ink I hear someding”), while Dick uses nautical slang (“Sink me,” “topping the boom”). Matt speaks in standard English and serves as the rational investigator. The excerpts show Matt taking charge: he examines clues, questions witnesses, and deduces that Carl was a prisoner. The dialogue is functional, advancing the plot quickly. The creole character Rigolette speaks in a French-influenced dialect (“I know nozzing, m’sieu”). These dialect markers are typical of early 20th-century dime novels, where ethnic stereotypes were used to signal character types.
Readers approaching Motor Matt's Queer Find should expect a story that leans more toward gothic horror than mechanical adventure. The air ship and motor expertise are largely confined to the setup; the core of the narrative is a mystery involving a cursed object and a voodoo priestess. The dime-novel format rewards fast reading—chapters are short, and the action is continuous. Pay attention to the dialect clues, which help distinguish the three leads, and note how the setting (swamps, bayous, isolated huts) creates a claustrophobic mood that the catalog subjects do not fully capture.
Reading about the iron chest and that voodoo priestess reminded me of summer afternoons lost in my grandfather’s hammock, the air thick and humid. We didn’t have swamps, but we had the river. Another story gave me that same shiver of hidden secrets, though it was salt air instead of swamp mist. Tom Fairfield at Sea; or, The Wreck of the Silver Star — Reading Notes held a similar pull, that quiet dread of what a locked thing might contain.
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