The River Motor Boat Boys on the Yukon: The Lost Mine of Rainbow Bend — Context and Discussion

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Gordon, Harry, Davis, J. Watson, 1870-1959 [Illustrator] Project Gutenberg 2016 Not confirmed
Boats and boating -- Juvenile fiction; Motorboats -- Juvenile fiction; Yukon River (Yukon and Alaska) -- Juvenile fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 59,552
Reading time 259 min
Text sections 8

The catalog record for The River Motor Boat Boys on the Yukon: The Lost Mine of Rainbow Bend — Context and Discussion provides practical reading context through 59,552 words, 4 hr 19 min estimated reading time, and 8 detected text sections.

The text analysis averages about 16.2 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Boats and boating -- Juvenile fiction,” connecting these edition facts with the source record’s subject description.

This editorial note examines how the opening, middle, and later excerpts of Harry Gordon's Yukon adventure guide a first reading, focusing on the careful mooring of the Rambler, the banter between Alex and Case, and Ike's hidden money.
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Editorial Edition Score 4.7/5

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  • Description quality20 pts
  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
  • EPUB file integrity20 pts

Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.

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one thing at a time,” Alex retorted impudently. “Why, if you two could whistle as well as I, you wouldn’t do anything else. Case does blow his own whistle a good deal, but it generally sounds like a fog horn with a frog in its throat—dismal—dismal—dismal.”

“Away with you and get us something to eat, you little imp,” laughed Case.

“Why, don’t you want to try some of this stew?” asked Alex hopefully. “It’s rich and there’s fully two inches of it that isn’t fast to the pan.”

“No, I don’t want to taste it, the smell is enough. Open up a can of beans and a can of salmon for Clay and I. You can keep all the stew for yourself. I don’t think there is enough of it for more than one anyway.”

“I never care for stews,” declared Alex promptly. “I’ll give it to Captain Joe. I forgot to cook up anything for him anyway.”

He advanced to where a big white bull dog lay asleep in the corner and placed the stew-pan close to his nose. The dog awoke instantly and began sniffing eagerly.

“Look at him. Watch him go to it. Captain Joe knows what’s good,” Alex exulted.

Captain Joe shoved his nose into the pan and took one good whiff, then gave the pan a shove with his paw and with a sniff of disgust, retired to the opposite corner and lay down again.

“Captain Joe is an intelligent animal,” Clay agreed with a grin. But hurry up Alex. Throw that stuff out and bring on the salmon and beans. I am hungry as a wolf.”

Alex meekly obeyed and soon all three were seated around the table eating their cold meal and eagerly discussing their proposed trip.

“How soon do you think we can start?” asked Alex eagerly.

“The sooner the better,” Clay replied. “It will take a long time to make the trip and the season is short up there. If we divide the labor equally we can soon be ready. Tomorrow, Alex can order the provisions. He’s authority on eatables. You, Case, can buy the heavier blankets and warmer clothing we will need, while I will try to find a good kerosene engine and buy the tobacco and trading trinkets. The buying had ought to take us all of tomorrow, for we want to be careful in our purchases. By working hard the next day we had ought to get the old motors out and the new installed. If so, there is no reason why we can not be off in three days from now.”

“Hurrah,” shouted the excited Alex. “That’s going some.”

“Keep still,” whispered Clay, “I can hear those footsteps right on deck again.

His two companions listened.

“We want to catch that fellow this time,” Clay said softly. “You fellows just keep right on talking and I’ll slip back to the back door. The steps are moving slowly back to the after deck. As soon as they come close to the door, I’ll throw it open and grab him, then you all come at once and the job is done.”

His two companions nodded assent to the plan and began talking loudly to each other, while Clay crept back to the door at the stern.

The soft muffled foot-steps came slowly nearer until they reached the narrow deck aft.

Clay flung the door open and with a shout sprung upon the dim figure outside. Alex and Case, with Captain Joe, came dashing out to his assistance. But there was no need of help. The stranger offered no resistance, instead he chuckled.

“Is this the way you always greet visitors?” he asked. “Gee, but you are a hospitable lot.”

“Come on down into the cabin where we can see who you are,” said Clay sternly, still retaining his grip on the stranger’s arm.

The stranger followed him willingly down into the cabin light, where Clay let go his arm as though the coat sleeves was red hot, while his chums howled at him with delight.

“Mr. Clay, but you’re a great detective,” Alex jaunted. “You go out to catch a thief and bring in a friend.”

But his jeers fell on deaf ears, for Clay was gazing at a slender, bright-eyed boy with abashment and recognition. “Why, it’s Ike Levis,” he cried.

“It’s a wonder you recognize him, Clay,” grinned the impudent Alex. “You’ve only known him for ten years.”

“I’ve only known him for five, but I can almost see a likeness,” smiled Case.

The bright-eyed stranger smiled at the joshing, but seemed to think it had gone far enough.

The opening chapter of The River Motor Boat Boys on the Yukon establishes a meticulous attention to detail. The motor boat Rambler is moored with “soft cloth” wrapped around holding lines and “huge, soft, rope bumpers” placed between boat and dock. The cabin is described with “folding bunks along the sides were bordered with gilt” and “three glistening rifles and a large bore shot gun” suspended in racks. This careful description signals that the boat itself is a central character, and the boys’ preparedness will be tested.

The Rambler as a Character

The opening excerpt devotes considerable space to the Rambler’s condition. The boat is “gay with a coat of fresh paint from cabin top to keelson,” and the cabin features “sides and ceiling freshly enameled in purest white.” The attention to the boat’s upkeep—the wrapped lines, the bumpers, the clean sheets—suggests that the boys are experienced and take pride in their vessel. This level of detail invites the reader to visualize the setting and understand that the boat is not merely transport but a home base. The later excerpts shift focus to the boys’ interactions, but the boat remains a constant presence, a safe haven amid the dangers of the Yukon.

Banter and Character Dynamics

The middle excerpt reveals the boys’ personalities through dialogue. Alex teases Case about a romantic farewell, inventing a verse: “An’ her hair was like the red bird’s / Her neck scraggly like the crane’s.” Case reacts with embarrassment, but Alex eventually reassures him. This exchange shows a camaraderie built on teasing and loyalty. Later, Alex and Ike have a tense but revealing conversation after a near-drowning. Alex admits, “I didn’t want to hit you. I just had to,” and Ike explains his inability to swim due to a teacher’s claim about his “race.” Alex’s internal reaction—feeling “fresh respect for the pluck and determination of this lad”—shows growth in their relationship. The banter is not just filler; it defines the characters and their bonds.

Ike’s Hidden Money and Its Implications

In Chapter XIII, Ike panics over his wet pants, which contain all his money sewn into the seat. He rips the garment open with a knife and spreads wet bills to dry. Alex observes the amount and realizes that if the others had accepted Ike’s offer to go home, Ike would be left “with less than ten dollars in his pocket.” This moment adds depth to Ike’s character: he is resourceful and determined, carrying his savings in a hidden pocket. The scene also highlights the precariousness of their adventure—financial risk is part of the journey. The detail that Ike’s money is “all wet” but still valuable underscores the theme of perseverance against hardship.

Structure and Pacing Across Excerpts

The excerpts show a clear structural progression. The opening is descriptive and static, focusing on the boat. The middle excerpt introduces conflict through dialogue and character interaction. The later excerpt combines action (the near-drowning) with introspection (Alex’s respect for Ike). The chapter titles—such as “A MYSTERY,” “THE GOLD FEVER,” and “TRAPPED”—suggest a plot-driven narrative, but the excerpts emphasize character moments over plot advancement. The missing Chapter XIV and duplicate titles for XXII and XXIII indicate possible editorial quirks. Readers should expect a mix of detailed setting, character banter, and sudden peril, with the boat serving as a unifying element.

These excerpts suggest that the novel rewards attention to small details—the condition of the boat, the characters’ speech patterns, and the hidden vulnerabilities of the boys. The Yukon setting is less prominent in these passages than the interpersonal dynamics. A first-time reader might focus on how the boys’ relationships evolve and how their preparedness (or lack thereof) plays out in the full story. The missing chapter and repeated titles hint at a possibly rushed publication, but the core adventure remains intact.

There’s a particular steadiness in watching the Rambler’s crew tie off for the night, their chatter settling like river mist. It reminds me of another voyage, quieter beneath the waves, where the Grampus held her own secrets. Both books understand that a journey’s heart isn’t the map, but the small, stubborn bonds formed in the hold. I think of them as old friends, nodding to each other across the shelf. Motor Matt's Submarine; or, The Strange Cruise of the Grampus — A Reader’s Guide keeps that same lantern lit.

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