The Bungalow Boys in the Great Northwest — Text and Context

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Goldfrap, John Henry, 1879-1917 Project Gutenberg 2014 Not confirmed
Mystery and detective stories; Inventions -- Juvenile fiction; Smugglers -- Juvenile fiction; Northwest, Pacific -- Juvenile fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 57,817
Reading time 252 min
Text sections 25

This digital edition of The Bungalow Boys in the Great Northwest — Text and Context is described by source-level measurements including 57,817 words, 4 hr 12 min estimated reading time, and 25 detected text sections.

The text analysis averages about 15.4 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Mystery and detective stories,” connecting these edition facts with the source record’s subject description.

An editorial note on how the catalog subjects (inventions, smugglers, mystery) align with the excerpts, focusing on the tunnel, the bound man, and the boys' resourcefulness.
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Editorial Edition Score 4.9/5

Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.

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  • Description quality20 pts
  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
  • EPUB file integrity20 pts

Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.

Edition quality

Read the Text

Turning over his morning mail, which Jared Fogg had just brought into the little Maine valley, Mr. Chisholm Dacre, the Bungalow Boys’ uncle, came across a letter that caused him to pucker up his lips and emit an astonished whistle through his crisp, gray beard. A perplexed look showed on his sun-burned face. Turning back to the first page, he began to read the closely written epistle over once more.

Evidently there was something in it that caused Mr. Dacre considerable astonishment. His reading of the missive was not quite completed, however, when the sudden sound of fresh, young voices caused him to glance upward.

Skimming across the deep little lake stretched in front of the bungalow came a green canoe. It contained two occupants, a pair of bright-faced lads, blue-eyed and wavy-haired. Their likeness left no doubt that they were brothers. In khaki trousers and canoeing caps, with the sleeves of their gray flannel shirts rolled up above the elbow exposing the tan of healthy muscular flesh, they were as likely a looking couple of lads as you would have run across in a muster-roll of the vigorous, clean-limbed youth of America. Regular out-of-door chaps, they. You couldn’t have helped taking an immediate liking to Tom Dacre and his young brother Jack if you had stood beside Mr. Dacre that bright morning in early summer and watched the lightly fashioned craft skimming across the water, its flashing paddles wielded by the aforesaid lusty young arms.

“Well, who would think to look at those two lads that they had but recently undergone such an experience as being marooned in the Tropics?” murmured Mr. Dacre to himself, as he watched his two nephews draw nearer.

There was a fond and proud light in his eyes as they dwelt on his sturdy young relatives. In his mind he ran over once more the stirring incidents in which they had all three participated in the Bahamas, and which were fully related in a previous volume of this series—“The Bungalow Boys Marooned in the Tropics.”

Our old readers will be able to recall, too, the bungalow, and the lake, and the country surrounding them. These environments formed the scene of the first volume of this series—“The Bungalow Boys.”

How different the little Maine lake looked now to its appearance the last time we saw it. Then it was swollen, angry, and discolored by the tumultuous waters of a cloudburst. At the water gate leading to the old lumber flume stood Tom Dacre and Sam Hartley, horror on their faces, while out on the lake, clinging to a capsized canoe, were two figures—those of a man and a boy. Suddenly the man raises his hand, and the next instant a cowardly blow has left him the sole occupant of the drifting canoe. Swept on by the current, the lad, his features distorted by fear, is being sucked into the angry waters of the flume, when a figure leaps into the water to the rescue, and——

But we are wandering from the present aspect of things. All that happened a good while ago, when the Bungalow Boys were having their troubles with the “Trubblers,” as old Jasper used to call them. At that time the little valley, not far from the north branch of the Penobscot River, was, as we know, tenanted by a desperate gang of rascals bent on ousting the lads from their strange legacy.

Everything is very different in the valley now. The old lumber camp up the creek—in the waters of which Jumbo, the big trout, used to lurk—has been painted and carpentered, and carpeted and furnished, till you wouldn’t know it for the same place. Mrs. Sambo Bijur, a worthy widow, is conducting a boarding house there to the huge disgust of the boys. Somehow, exciting—perilously so—as the old days often were, they have several times caught themselves wishing they were back again.

“It’s getting awfully tame,” were Tom’s words only the day before, when he had finished fishing the youngest of the Soopendyke family—of New York—out of the lake in which the said youngest member of the Soopendykes had been bent on drowning himself, or so it seemed. His distracted mother had rushed up and down on the shore the while.

“Like an old biddy that has discovered one of her chickens to be a duck,” chuckled Jack, in relating the story.

“And she kissed me,” chimed in Tom, with intense disgust, “and said I was a real nice boy, and if I’d come up to the boarding house some day she’d let me have a saucer of ice cream.”

Mr. Dacre had laughed heartily at this narration.

The catalog subjects for this title—mystery and detective stories, inventions, smugglers, and the Pacific Northwest—find uneven support in the excerpts. The setting is indeed the Northwest, but the opening chapter places the Bungalow Boys in a Maine valley, not the Northwest. The smuggler element appears through a tunnel used to move “Mongolians” inland, and the mystery revolves around a man found suspended by his wrists. Inventions, however, are absent from the provided text; the boys’ resourcefulness with a knife and canoe is practical, not mechanical.

Smugglers and a Tunnel

The smuggler plot emerges through Sam Hartley’s discovery of a river tunnel connecting the canyon to the sea. He explains that Bully Banjo’s men use it to land “Mongolians” on the beach and march them inland, sometimes wading “up to their knees.” The tunnel is screened by brush, and Hartley deduces its existence from tracks in the sand. This aligns with the catalog subject of smugglers, though the excerpts do not reveal the cargo’s nature or the operation’s scale. The tunnel itself is a concrete detail that drives the plot forward, but its full significance remains unclear from the excerpts alone.

A Victim of Violence

The most striking scene involves a man found strung up by his wrists in a tree, his feet dangling “a foot or more off the ground.” Jack identifies him as one of the guards who fell asleep during an earlier escape. The man’s wrists show red bands where the flesh was “cut deeply into,” and his appearance—bloated face, lank hair, stained clothes—suggests dissipation. Sam Hartley calls him a “horrible example” of Bully Banjo’s methods. This incident provides a visceral mystery, but the excerpts do not explain why the man was punished or how he survived. The catalog subject of mystery is thus grounded in this violent tableau, though the larger detective thread is only hinted at.

The Boys’ Role in the Action

The Bungalow Boys, Tom and Jack Dacre, are introduced as vigorous, clean-limbed youths paddling a green canoe. Their uncle, Mr. Dacre, receives a letter that startles him, but its contents are not disclosed. Later, Jack recognizes the bound man and questions Sam Hartley eagerly. The boys’ past adventure—being “marooned in the Tropics”—is mentioned but not detailed. In the excerpts, they are observers rather than instigators of action, though Jack’s earlier escape using a knife is referenced. The catalog subject of inventions is absent; the boys’ tools are a canoe and a knife, not any device. Their resourcefulness is physical, not technological.

Readers should note that the excerpts cover only the opening chapters and one later scene. The catalog subjects of inventions and detective work may appear in the full text, but they are not evident here. The smuggler plot and the mystery of the bound man are the primary threads visible. The boys’ past adventure is alluded to but not explained, so readers expecting a standalone story may need to consult earlier volumes in the series.

That rainy afternoon, The Bungalow Boys kept me turning pages, its tunnel and that bound man lingering long after the last one. I kept thinking about how resourcefulness blooms when the world turns sideways, water rising, plans washing away. Later, drying the windowsill, my fingers found another dog-eared volume, The Boy Scouts Along the Susquehanna; or, The Silver Fox Patrol Caught in a Flood — Reading Notes, and I simply sat back down.

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